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Ocelot

Member Since 07 Apr 2008
Offline Last Active Today, 07:35 PM

Posts I've Made

In Topic: The Video Game News Thread

Today, 06:38 PM

Well Gamescom is officially underway, so here's a quick roundup of early information:

 

- ReCore, Super Lucky's Tale and some other previously Windows 10 Store exclusive games are coming to Steam

 

- Sekiro: Shadows Die Twice has a release date of March 22nd 2019

 

- A Hat in Time is getting an expansion, and it's coming to Switch

 

- Trailers for Life is Strange 2:

 

 

Metro Exodus:

 

 

Just Cause 4:

 

 

Join me later in my lively Devil May Cry thread as I mark out super hard over the new footage they're going to show today!


In Topic: Mission: Impossible - Fallout/Cruise Missile Appreciation Thread

Today, 01:52 AM

And so we come to Jar Jar Abrams' first foray into his unforgivable plot to ruin all beloved movie franchises by making highly-enjoyable, well-received entries in them, the absolute monster: Mission: Impossible 3. It's great!

 

It's interesting that we're only three movies into the franchise at this point and there's already a movement towards having Tom Cruise retire from active superspy-ing duty and take on a trainer/handler kind of role. Tom Cruise was 44 in this movie, so you can kind of see why some movie execs who hadn't actually seen the man in action might have thought he was coming to the end of his high-flying stunt days, but little did they know that the Cruise Missile doesn't age like we humans do and that he'd still be going at it twelve full years later and somehow only getting better. MI3's a really fun movie with probably the best cast of the entire series (Larry Fishburne putting in work, Philip Seymore Hoffman as the villain, the introduction of Simon Pegg and Keri Russell absolutely owning her five minutes of screentime with that unteachable action star skill of 'not flinching when you fire the gun'). The big action setpieces are all fun, clever and frantic, and how could anyone forget the single best example of The Cruise Run in all of cinema?

 

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My only complaint with this movie is that it feels very... small, somehow. It's JJ Abrams' first movie, and it just doesn't have that big blockbuster spectacle to it. It actually feels quite a lot like an extended episode of Alias, right down to the in medias res intro that then flashes back a few days earlier (which they did on Alias like every second episode). The IMF agents all work out of this boring office building in L.A., the gadgets aren't really all that impressive, Philly SeyHoff is great but he never really feels like a world-ending threat. It's also dated in its own way, with some veeeery Bourne-derivative handheld camerawork and Bush-era "the government is using the terrorists for its own gain" political machinations. It's still great, though. OCELOT'S RATING: 10 Cruise Run Sonic Booms out of 10

 

Next up is, of course, Mission: ImPaulable: Ghost Pattoncol, which, if I'm being super totally brutally honest with you guys... doesn't hold up as well as I thought it would...

 

I mean, it's still a fantastic movie, with absolutely incredible moments, and I still think the whole forty-ish minutes they spend in Dubai is 110% perfect from start to finish, but it's just not quite as good overall as I remember it being. There's this subplot with a Russian cop chasing Ethan all over the world that just bogs the movie down, the music is veeeery low energy and understated, there's a weird moment where you think Ethan is going to go and see Max (and they even outright tease it by having him be forced to put on the same blindfold mask he had to wear in the first movie) but it just turns out to be some random guy and you're like... why, though? But worst of all, this is the movie where they pushed the "Tom Cruise has to retire" angle the hardest, to the point where he has to spend so much time babying all the other members of his team that he misses out on doing a bunch of cool stuff himself. Do you remember what Ethan does at the palace in India? He holds his finger to his ear and shouts orders at the rest of the team while they do all the work. Uh uh. No thank you.

 

(Also how did Michael Nyqvist, may he rest in peace, end up being the final villain fistfighting both Ethan Hunt and John Wick?)

 

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Paula Patton is in it, though. One day they're going to bring her back, with her big muscly forearms and her purring voice. Ilsa Faust is great and all, but did she really deserve two movies in a row? Well, yes, obviously, because she's wonderful and we all love her, but I'm brave enough to say that there's room for both of them. OCELOT'S RATING: 10 Paula Pattons out of Paula Patton

 

And to cap it all off, we enter the McQuarrie era with Mission: Impossible: Rogue Nation, which is so good! I really think Christopher McQuarrie gets it better than any MI director so far; he manages to balance the best of the action and spectacle with the cleverest of the espionage and plot-twist-ery. Fallout is his real masterpiece, but Rogue Nation was an excellent warmup, and I'd love to see him bang out another one before Tom Cruise hits 60 and we really have to start questioning whether he isn't an X-Man or something. Rogue Nation begins with Ethan hanging off the side of a real-life aeroplane actually taking off for reals, brings Alec Baldwin on board to do his Alec Baldwin thing, introduces a delectably hate-able villain in Solomon Lane and, of course, our angel Ilsa Faust. Also Jeremy Renner is there again. Remember Jeremy Renner? #JusticeForPaula

 

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I'm not a huge fan of the action scenes and setpieces here, with the underwater break-in being a little too... I don't know, swimmy for my taste and the car/bike/plane stuff not lasting long enough to really get my motor running, but I still really like this movie. OCELOT'S RATING: 10 living manifestations of destiny out of 10.


In Topic: Mission: Impossible - Fallout/Cruise Missile Appreciation Thread

18 August 2018 - 12:55 AM

So I watched a couple of movies you guys might have heard of, by the names of Mission: Impossible and Mission: Impossible 2!

 

Mission: Impossible: This movie's great! Alongside Independence Day, this is one of my earliest cinema-going memories (I would have been six years old, nestled snugly in between my parents at the theatre), and I've probably seen it three or four times over the years but I've never actually understood it before now. For some reason I always found the plot impenetrable, but now I'm wondering if maybe I've just been a big dumb stupid idiot all these years because it isn't really all that complicated. It does have a pretty interesting way of playing with what information it chooses to tell the viewer, though, particularly concerning some late-game Jon-Voight-related morsels. It's probably the most classically spy-movie-y of the Missions: Impossible, with some wonderfully clever espionage stuff and a lot less bombastic shooting of dudes than you'd expect from one of the later movies. But then when it does get into the action stuff it does that really well, too! Apart from the spy tech and gadgets being inevitably outdated (when Ethan needs to find the shadowy weapons broker Max, the first thing he does is open up his blocky '90s laptop and search for 'Max.com' :P), this movie holds up incredibly well 22 years later.

 

Also Tom Cruise's eyebrows are flat out INCREDIBLE. Unbelievable eyebrow game. OCELOT'S RATING: Top notch Mission: Impossible. 10 face-impaled Emilio Estevezes out of 10.

 

Mission: Impossible 2: And so we go from a movie that has held up incredibly well to the absolute Year-2000-est movie that has ever existed. This movie aged twenty years the moment they drove it out of the showroom. Tom Cruise's floppy boyband hair, the excruciating slow-mo and constant spinning in every action scene, the startlingly awful soundtrack from a young Hans Zimmer before he learnt how to Hans Zimmer properly, featuring a terrible credits song from Load/Reload-era Metallica; everything about this movie screams "downloading ringtones for your flip phone from Limewire on a 56k modem". You no doubt remember Tom Cruise free-climbing a sheer cliff at the start of the movie, but do you remember that this was the music that played during that scene?

 

 

And yet, this movie is still incredibly watchable. Even if sometimes you're laughing at it rather than with it, it's still a super fun two hours. There's no such thing as a bad Mission: Impossible movie; even when you're in the depths of the absolute dumbest motorcycle jousting scene where Tom Cruise and Dougray "I gave up Wolverine to be in this movie and it killed my career" Scott just fly at eachother at a hundred miles an hour, you're still just pumping your fist at how wonderfully stupid but still awesome everything is. I think this movie is what gave Vin Diesel the idea to make XXX, because Tom Cruise can't do anything on that motorbike without doing an xxxtreme trick beforehand to get his Tony Hawk multiplier up. It's so bad. It's so good. I love it.

 

The only thing that I genuinely didn't like was the way it treats Thandie Newton's character Nyah, which is a really ugly flashback to the days before Hollywood learnt that women were people, too. Red flag #1 is that she's literally the only female speaking role in the movie, and red flags #2 through infinity are everything that happens in all of her scenes. The movie's plot revolves around the IMF basically strong-arming her, a civilian, into jumping back in bed with her psycho ex-boyfriend (which she is very visibly not happy about), with such lines as "To go to bed with a man and lie to him? She's a woman, she's got all the training she needs" and "Like monkeys they are: won't let go of one branch 'til they get a hold on the next". It'd be one thing if they were trying to make some kind of statement, but it's just so casual and thoughtless here. It's a real shame, because Thandie Newton is actually wonderful whenever she gets a chance to do something other than be the damsel in distress, but the movie is just so callous about sending her off to into the villain's bed and then using her as a mostly off-screen virus bomb in the final setpiece that... yeesh, it's not a good look.

 

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OCELOT'S RATING: Worst Mission: Impossible but still great, 10 floppy hair cartwheel kicks out of 10


In Topic: Resident Evil: Complete Global Saturation

15 August 2018 - 12:22 AM

(I'm just going to copy and paste my Resident Evil 6 post from the other thread so I can have all my giant RE write-ups in mostly-chronological order in this thread)

 

What a stupid, ridiculous, wonderful, stupid, amazing video game. Within ten minutes of loading up the game I'd blown up half of China, done a sick 180 nosegrind on a train in a helicopter and killed the President, and IT ONLY GOT REALER FROM THERE. Resident Evil 6 is set in a world where you're never more than thirty seconds from a random gas tanker careening in from off-screen to erupt in an apocalyptic fireball, where character dialogue is 110% one-liners, and where nobody simply shoots a zombie when they could hurl themselves onto their backs first and then jump up to wrassle that jabroni first. And does it still have that weird, sexless Resident Evil vibe where gorgeous characters perpetually smoulder at eachother but nobody ever actually has sex? You bet it does!
 
This game has FOUR main campaigns, each starring a different fan-favourite RE character or Troy Baker, and I've finished the first three, so let's go step by step:
 
LEON: Former rookie cop and current superhero Leon S. Kennedy has just failed his one mission as a Secret Service agent, and finds himself on the run alongside Laura Bailey, blowing up an entire city, delving down into an impossibly deep underground RE4-throwback laboratory under a church, then eventually crashing a plane into China and dumping about three tons of ammunition into an ever-evolving final boss that is, at various points, a giant cat, a giant cat with organic gun turret, a huge fly/spider monster, and a STRAIGHT UP T-REX. Leon is pushing 40 but still insists on that floppy mid-90s hairstyle, and he will die alone and pathetic before he ever tells Ada that he likes her, but you cannot fault the man on his cool-jacket-wearing and one-liner-delivering skills.
 
PUNISHED CHRIS: I love Chris' story in this game. We catch up with our favourite muscular boyscout drinking away his sorrows in a bar in Eastern Europistan after having lost another platoon of men to the BOW menace. The Chris we thought we knew has given way to a broken man who isn't afraid to use naughty words and doesn't even mind his manners, which is such a shock to the system for our giant sweaty cherub that I genuinely got a little anxious waiting for the game to complete his character arc and let him be happy again. My sweet boy. Chris teams up with another handsome soldier named Piers Nivans, and together you Gears of War your way through about seven thousand zamboes, drive a car, fly a plane, and have your own eighteen-phase final bossfight.
 
TROY BAKER: Jake Muller is the son of Albert Wesker, and as such has inherited his super kung fu powers and some magic blood that the powers that be need to cure the newest Resident Evil virus. Jake pairs up with Sherry Birkin, all grown up from her debut in RE2 and now an honest-to-goodness special agent, and I really enjoyed the way the two of them played off eachother. Jake is the typical cool American-action-hero-as-written-by-Japanese-people, and he seems pretty capable of taking care of himself with his Wesker powers, but Sherry is so outspoken and fastidious about doing her job that she insists on being the one who's going to save his life, and by the end of the game she actually does it and it's great. The two of them end up as the closest thing the RE series can manage to a couple, which is to say two good friends who will never ever even kiss but might cast a wistful glance at eachother every few years, which warmed my heart a little.
 
RE6 is really big, really long, and a little bit bad, if we're being honest. I remember it being received really poorly back at launch, and I can tell why; there's absolutely no hint of any classic Resident Evil gameplay, and the game does a really poor job of explaining all its gameplay mechanics to you. There are also a lot of genuinely bad moments you have to suffer through (most of them in Jake and Sherry's campaign, unfortunately). Buuut, once you get the hang of all the dodges, dives, slides and ridiculous wrestling moves you can do the game just feels amazing to play, and at 120FPS on PC it's even better. It feels like Capcom accidentally made a Platinum game, all gameplay depth and spectacle, even if it is a little rough around the edges, and comparing anything to my favourite boys at Platinum is the highest praise I can give.
 
EDIT - Ada's campaign was a lot of fun, too! She's such a cartoonishly cool cucumber that she almost sounds sleepy throughout her whole story, not even raising an eyebrow when she learns that there's an evil clone of her running around trying to destroy the world. She has a couple of cool weapons, and a few pseudo stealth sections that aren't too terrible, and it was really fun seeing how she snakes her way through the background of all the three other groups' campaigns. 

In Topic: Resident Evil: Complete Global Saturation

14 August 2018 - 08:23 AM

I've now come full circle in my quest to play all the mainline Resident Evil games: back to the first RE game I ever finished, Resident Evil 5.

 

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Handsome beeflord Chris Redfield's journey through the heart of Africa alongside his spunky sidekick Sheva Alomar, taking his vengeance against the evil Albert Wesker, who is now just a straight up superpowered villain bent on world domination. RE5 takes the third-person action RE formula established by RE4, loosens up the controls a little to allow strafing (though not while shooting, mind), and adds a co-op partner character who'll blast zambamboes alongside you (AI-controlled, if you're playing on your own). The inventory system has been overhauled as a 3x3 grid sorted in realtime, RE4's Merchant has unfortunately lost his job to a bland menu screen, and the overall tone has taken a turn for the... serious? I hesitate to say that about a game where you fight the final boss inside a volcano, but at least we're not running away from giant statues in the image of zany Spanish dwarves :P

 

So I bought this game on day one and played it to death back on the PS3. I loved shooting the dudes, I loved the ridiculously over-the-top action cutscenes, I loved reading all the files about the history of the Resident Evil series. I probably haven't played it since like 2010, though, and I actually didn't enjoy going back to it as much as I thought I would. Back in the day I remember people being down on the game thanks to the forced co-op, the cover-based shooting encounters and a general feel of trying to go back to the RE4 well, and while I didn't agree with those complaints at the time... right now I feel like they were pretty spot on. I still had a lot of fun playing through it, but RE5 has some pretty big problems and I really don't think it compares to the stone cold masterpiece that is RE4.

 

OK, let's start with this co-op stuff. I like Sheva, and playing on Normal difficulty this time around I never died because of any AI-related antics. I saddled her with whichever weapons I didn't want to use, mostly left the healing duties to her, and she was totally fine. But with Sheva's inclusion came a host of PS3/360-gen co-op mechanics that really frustrated me. There's a down-but-not-out state stolen straight from Gears of War, for instance, where if your health drops below a certain threshold you'll enter a staggering state and need your partner to come and rescue you. This is fine in a regenerating health game like Gears, but RE5 uses consumable healing items that you can carry with you at all times, and there is nothing more irritating than being separated from your partner and knowing you're going to die DESPITE HAVING A HEALING ITEM IN YOUR INVENTORY. I have literally died on top of a Green Herb that the game wouldn't let me pick up. It's also just needlessly difficult to swap and exchange items with your AI partner, which speaks to some of the same issues I had in RE0. Menu functions that you should be able to do but can't, QOL features that would be such a huge help but aren't there. How many grenades did I unintentionally give to Sheva when I was trying to throw them because I unthinkingly mashed the 'Give' button thinking it was a QTE?

 

The game unabashedly tries to top RE4, with very obvious callbacks to memorable setpieces from that game like El Gigante, the Cabin, the QTE moments, the giant bosses with special weapons; even the overall three-act game structure of rural village-> spooky castle/ruins -> combat heavy military area. But where RE4 has you saying "Oh yeah, that bit!" with glee as you stumble into a huge fight, RE5 has a lot more "Oh no, that bit" moments. I mean, RE4 has a few areas that aren't great, but RE5 has some genuinely awful parts, particularly when the enemies start shooting back at you. The retrofitted cover system doesn't work especially well, with finicky positioning required to get the prompt to show up in the first place and then iffy protection afforded from damage once you're in place, and most of all it just isn't much fun to kill guys by shooting them in these games. You want to be mixing it up right there in the fray, hitting weakpoints and going for melee hits, but instead you're stuck pewpewing around a wall. Also I still hate the Reaper enemies and their awful one-hit kill attack. I also read some things about the PC and PS4/XB1 versions being a little glitchy in terms of boss health and AI; I'm not sure if that's legit, but I definitely had a harder time playing the PC version than I remember from the PS3 version back in the day. Chainsaw Men took a frankly absurd level of punishment (I literally dumped 12 MAGNUM ROUNDS into one's face before it died), and that one Uroboros boss where you can use the Flamethrower took forever.

 

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But enough complaining, because I still really like this game. Giant muscleboy Chris is the best character redesign in history, and I absolutely love this game's stupid story. Chris is out there mowing down zomboes by the dozen in search of our girl Jill, and when I played this game back in the day I always assumed they must have had a real relationship in the earlier games. Now that I know all the backstory, though, which is to say that they spent the entirety of RE1 separated and then were never in another game together until RE5, it all just seems so delightfully silly. And of course nobody ever has sex in the RE universe, so we know it wasn't a romantic thing, either. Chris and Jill's whole bond is basically invented in this game; "Because we're partners" is Chris' earnest answer to everything in this game, which is so anime it hurts. And now Wesker has gone from the goober in CVX doing slow-mo jumps to the coolest guy in the universe, effortlessly dodging bullets with a flash-step superpower faster than your eyes can follow, clad in a carbon fibre battle suit and purring out every line in D.C. Douglas' positively scandalous villain voice.

 

RE5's action cutscenes are an absolute treat for a fan of CG fight scenes. They were handled by Just Cause Productions, a stunt/motion-capture/animation company run by none other than our old friend Reuben Langdon (aka Dante, boiz!), and they are just magical. Reuben Langdon and Dan Southworth (Vergilllll) do motion capture, and Reuben voices one of the ill-fated BSAA agents (the guy who drives the Humvee early on and gets squashed by the El Gigante). The choreography, the camerawork, the creativity of some of the ridiculous stuff they do is so good. Too good for plain old gifs, just watch this hot fire and thank me later:

 

 

So, that was RE5, then. Not quite as great as I'd remembered, but still really cool. I'd love to see Sheva come back some day, and I hope there's still room for action RE in this new more grounded world of RE games post-7. Speaking of 7, that's the one I'm playing next, and the last remaining mainline RE for me. Wish me luck!